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Jazz trumpet star Clifford Brown killed in car crash [voilà 50 ans ce 26 juin]

American trumpet-star Clifford Brown and pianist Richie Powell were killed in a car crash on wednesday morning of this week (cables Nat Hentoff) [le 26 juin 1956]. This tragic accident took place just outside Bedford, Indiana, while the two musicians were travelling to Chicago, for an engagement with the Clifford Brown-Max Roach group
of which they were both members.

Powell's wife, whom he married only a month ago, was also killed in the crash.

Mikes Butcher writes : the death of Clifford Brown is probably the most lamentable loss to contemporary jazz since Charlier Parker died, last year.

Brownie, a native of Wilmington, Delaware, rose suddenly to fame in 1953 (when he had been playing trumpet only eight years) as a member of the Lionel Hampton Band. He recorded extensively in Europe that year with contingents from Hamp's group (Vogue, Esquire), and quickly became recognised as one of America's most brilliant jazz trumpeters upon his return to the States. He won the "New Star Trumpet" award in the "Down Beat" critics' poll, 1954.

BUD'S BROTHER

For the past two years, Brownie had been co-leader with Max Roach of the succesful Brown-Roach combo, recording exclusively fo EmArcy in recent months with the unit, and also as guest star on sessions with Sarah Vaughan, Helen Merrill, etc.

Richie Powell, though overshadowed as a pianist by his famous brother, Bud Powell, was an excellent, swinging musician who can be heard to advantage on records with the Brown-Roach unit (Vogue, EmArcy).

Commentaires

  • Fabuleux "I can't get started" version live avec Max Roach! Un de mes morceaux préférés toutes catégories confondues! Le solo final, à la fois virtuose et totalement émouvant.
    Connaissez-vous par ailleurs le livre qui raconte l'histoire de Bix je crois bien : "L'homme (ou le jeune homme) à la trompette", d'un auteur américain?

    Il y a aussi, hors cornet, une nouvelle géniale de Cortazar dans le recueil "Les armes secrètes" qui met Bird en scène et le rapport de sa musique au temps. Un voyage dans le métro parisien lui donne l'intution du génie propre de sa musique, instinctif jusque là...

    Enfin si vous ne connaissez pas le Journal intime de Nabe, je vous le conseille vivement, il y a des passages magnifiques sur le jazz.

    Bien à vous.

  • Ce sont des pistes à explorer, merci; mais en ce moment je ne fais qu'écouter l'oeuvre du plus lyrique des musiciens de jazz, Clifford Brown.

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